Blue Moon 9.2

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Blue Moon 9.2
Blue Moon
by Donna Lamb

Finding the back door of Jo's house standing open when he got back surprised Richard. He'd brought the smaller of his two suitcases, plus his good suit in a garment bag and a briefcase full of some of his old sheet music but he left all that in the Mustang while he investigated.

Anybody inside had surely heard the big V-8 arrive so Richard abandoned stealth in favor of speed. Running through the door, he made a quick check of the rooms on the lowest floor and started up the stairs, calling "Jo! Melody Jo!" all the while.

The second floor door to the street level front yard stood open, too. Richard felt sure it hadn't been so when he had driven down the lane to the parking apron in the back. He made a quick loop through the open rooms of the first floor, still calling for Jo, then dashed out the front door and paused on the wide, cut-stone front porch. Down the street, beyond the curve of the road, he heard a car engine surge then fade as if someone had driven away.

"Son of a bitch!!" he yelped. Turning quickly, he ran inside and started up the stairs, shouting, "Jo!" as loudly as he could.

Jo emerged from the bedroom, holding a cellphone like a weapon, just as he reached the first step.

"Jo!" he shouted.

"Richard!" she shouted back. Her robe fell open at that moment revealing that she had nothing but panties on underneath. Squeaking in dismay, she turned and ran back into the bedroom and closed the door behind her.

Richard stopped running on the fifth step from the top. He stood there a moment then said, "Damn," quietly. Louder, he called out, "Jo? You okay?" Can't believe how good she looked.

"Yes," came the voice from the room beyond the door. "I'm getting dressed. Can you check the rest of the house, p-p-please?"

"Uh, sure," Richard said. Jo, naked. Jo, getting dressed. Um.

He checked the studio, including the closet there. The third door on the upper floor proved to be another bedroom suite, smaller, with its own bathroom and walk-in. Richard made a note to bring his stuff up and dump it there.

Moving quickly, he checked all the other rooms on the lower floors, including closets, and discovered en route two security panels. A large one hidden behind a wooden decorative panel in the office on the middle floor and a smaller satellite inside the big glass door off the patio on the lower floor. A third panel he found in the garage.

All of the switches on the security panels were set to off, neutral or some other inoperable position. "Shit," said Richard. Probably ten thousand dollars in security here and none of it was on. I should have been looking for it. He stared at the main panel by the desk in the front room office. I've no idea how to set this up. Jo and I are going to a hotel tonight.

He went back to the Mustang, locked it with his stuff still inside then checked the pool building, spotting another probable security panel there, locked in a metal cabinet. Also a locked small gate in the back fence opened onto the brushy bottom of the ravine. Get someone out here to cut this stuff before fire season, he told himself, making another mental note.

He went back to the house and locked everything he could find to lock; though the side door on the bottom floor looked damaged, it still locked. Then he climbed two flights of stairs and knocked on Jo's door. "Land shark!" he called and heard a satisfying squeak.

Jo opened the door wearing an above-the-knee cream-colored dress of some soft drapey knit, off-white hose, bone-colored, buckled half-boots with three-inch wedge heels and several natural wood bracelets on each wrist.

"Wow," said Richard.

"Don't gawp," she ordered, poking him in the middle. "You didn't f-find anyone?"

"No, ma'am," he said. "Nothing except the door to the laundry room damaged. Did you know there's a dumbwaiter in there that goes up to the kitchen?" Jo shook her head. "Nothing taken I could tell, but for all I know your dad's collection of Faberge eggs is missing."

She narrowed her eyes but decided he must be kidding. "Should we call the p-police?"

Richard sighed. "Jo, you're a girl now; being brave is not your department. You should have called the police, or me, as soon as you heard something -- you did hear something?"

"Um," she nodded. "That's p-p-sexist, you know."

He grinned. "Don't care. Call next time. And we've got to get your security system turned back on, probably repaired, too."

"I've got a security system?" she asked then waved away the explanation. "But should we call the p-p-p-cops? Now?"

Richard considered. "Let's find the number for your security people and ask them, and maybe they can get over here and fix things today. 'Cause otherwise, well, I didn't bring my stuff in 'cause we're not going to spend a night here until the burglar stuff works."

Jo chewed a fingertip. "W-we're not going back to the apartment. Those locks are m-made of ice cream."

Richard smiled. Jo looks like a tall vanilla malt with a cherry on top. God, we're in her bedroom. With a bed. What are we talking about? "We'll get a hotel room."

She cocked her head and looked at him sideways. "Room? Suite."

"Sweet," he agreed.



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Much ado

Anti-climactic. Other than maybe getting the two of them in a hotel suite, and how would that be better than Jo's mansion?

As for this bit: Jo emerged from the bedroom, holding a cellphone like a weapon. Maybe she should get one of those terrorist cellphone guns! "Stop or I'll dial!"

KJT

"A dress makes no sense unless it inspires men to want to take it off you."
Francoise Sagan

Ante-climax?

Perhaps it's just the umbraceous silhouette of the number four? :grin:

(Talking like Gmunro is addictive. ::LOL::)

Donna Lamb, flack

Donna Lamb, flack

I told you she was the Devil!

Donna, this is just mean! You set that whole scene up and pumped us for input and then you don't even let us know who it was! I'm ... I'm ... I'm gonna hold my breath until you give!
**10 seconds**
**20 seconds**
**30 seconds**
**40 seconds**
**50 seconds**
**60 seconds**
**70 seconds**
**GASP**

Okay ... *gasp* ... that's obviously not going to work. So on to speculation - logically of course.

Could the whole aim here be to get them to a hotel room together? Someplace a little more intimate perhaps? Richard seems to be getting more responsible by the minute, whether he realizes it or not - calling the security company, noting the need to have the brush trimmed and admonishing Jo for not calling the police immediately (seems I remember some comment about that).

Okay, nuff of that. I stayed up past my bedtime for this and know I must once again go to bed worrying about who is stalking Jo - and I feel dizzy from holding my breath...

Sincerely,

Scott

~If a person had time enough, he could love all of that majority who are decent and just.~
Lazarus Long
Robert A. Heinlein's 'Time Enough for Love'

Sincerely,

Scott

Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.

B-b-bedtime

Mine too. ::smile:: But the discussion of who was downstairs was really useful for me 'cause now I have an idea where you're looking I can palm a plot point or two. ::grin::

Donna Lamb, flack

Donna Lamb, flack

I've got your number now!

My keenly logical mind has deduced your secret identity, Donna. You are the reincarnation of Alfred Mosher Butts!

Sincerely,

Scott

~If a person had time enough, he could love all of that majority who are decent and just.~
Lazarus Long
Robert A. Heinlein's 'Time Enough for Love'

Sincerely,

Scott

Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.

LOL

I was just about to accuse her of having swallowed a Scrabble set!

- Erin

Ooooh,icecream treats

Did you bring enoght to share, Donna?

Richard may be getting more responcible but he also see Jo as someting to be savored and consumed, a malt. And with a chrery on top, oh my!

"Hey Jo want a banana spit? I've got the banana."

We are one can of whipped cream and some sprinkles away from sex here folks. Can they resist, do they want to, do we want them to and is that a designer gown DiD is wearing?

Is this the fake big scene that leads to the unexpected, big, all is revealed, dramatic confrontation scene?

John in Wauwatosa

But you're not a scientist. Surely you believe in all this
superstitious nonsense. (MAD Magazine)

Could be worse, could be raining. (Young Frankenstein)

But you're not a scientist. Surely you believe in all this superstitious nonsense. (MAD Magazine) Could be worse, could be raining. (Young Frankenstein)

Yum...

Donna this some tasty stuff you've whipped up for us. Richard's concern for her safety was touching. He really is falling hard for her. If this was a gimmick to get them into a hotel room then this could be bad. My guess it is not just a hotel room but one of Sophie's choice. Come into my lair said the spider... As for how... Come on we have all seen the Mission Impossible flicks where no matter what you do you end up where they can have at you. With Sophie's resources this would be easy! Again the question is why? If the goal is for them to have sex just leave the kids be! They'll care of it, real soon!

I'm also wondering if the Coach haven't slipped Sophie a ringer. Oh I'm just a poor hapless Clarence on probation. How do you play this game again? :)
Hugs!
grover

Plan? Ain't got no Plan!
"Beyond Thunder Dome"

Plan? Ain't got no Plan!
"Beyond Thunder Dome"