Blue Moon 9.1

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Blue Moon 9.1
Blue Moon
by Donna Lamb

"Care for another glass of wine, clarence?" asked Sophie. She smiled at him as if she'd been dining on canary instead of octopus.

"No, thanks," said Ted. "We'd better get back to business before your doppelganger gets up to more mischief."

She sniffed, disappointed that he hadn't been fooled by her distraction. "You've got so many manacles on me here, I had to try something."

Ted tried to quirk one eyebrow but he'd never been able to manage that Spockian feat even when alive and sober; both went up. "I'd think you'd enjoy manacles a bit too much for them to be useful."

She snickered. "For a clarence, you're not bad. Never met one with much of a sense of humor before."

"Could be you're a teensy bit pissed, as they say these days in Jolly Old," he said.

"Helps one to enjoy some things more. And you're looking a bit under the owl yourself."

"Under the owl? Never heard that one." He thought for a moment, considering the known habits of owls when disturbed or frightened. "Ah." He nodded. "Shit-faced, you mean. Which brings us to the important question of the evening."

"Which is?" Sophie asked, peering over her glass as she teased out one last drop of Crocodile Pete's truly excellent after-dinner sherry.

"Who's driving?" asked Ted. For a minor miracle, he kept his face perfectly straight just long enough that she cracked up first.

* * *

In the shower, Jo let the warm spray play across her body. She'd washed her short hair with some very expensive shampoo and had used some of the foam in other places. So weird, she thought.

The internet insured that she wasn't completely ignorant of the female body, even if Joel had led a sheltered, if not better called, deprived existence. Breasts are really soft, like pillows. I thought they'd be more, I dunno, rubbery? Her nipples crinkled lazily in the warm stream when she played with them gently. Her thoughts turned immediately to Richard.

She dropped a hand to her crotch. Good thing I sent Richard back to the apartment for some of his stuff. Her fingers found the spot she'd known existed, further down and back than she'd expected, though. "W-w-wow?" she said aloud. Then she gasped. Then she wondered if her knees would hold her up. She leaned against the wall of the shower, just in case. Damn good thing I got Richard out of the house before I tried this, she thought.

* * *

Richard didn't think so. Jo had suggested that he go to his apartment for some of his things in order to stay the night -- if not the weekend. That definitely went on the plus side; on the other hand, he didn't like missing the opportunity to -- to help, he decided -- to help with Jo's shower. After all, she's never done it before, she might slip and fall, he thought. Then laughed at himself.

He could hotfoot it to West Hollywood, pick up some clothes and toilet stuff and be back in less than an hour, even with the early traffic of a Friday afternoon. He decided he'd also better make a stop at a drugstore for some fresh -- supplies.

She's Jo. She's a girl and she's hot for me. She is not Joel, that's entirely beside the point, he told himself. Then why do I feel like I'm being a Dick by planning to pick up more condoms?

He almost didn't see the speeding black Jaguar coming up behind him to pass on the wrong side just as he reached his exit. Slower reflexes or less experience would surely have resulted in a sideswipe collision, at the very least. The two vehicles almost bumped mirrors except the Mustang's sat higher than the ones on the Jag; that they didn't even touch seemed like -- magic.

"Squeak!" said Richard, still thinking about Jo. He took the next exit down and looped back toward Melrose, annoyed but not alarmed by the close call.

* * *

"Regular bitch on wheels," commented Ted. He looked sleepy but sounded alert.

"I wasn't going to hurt him, you meddling clarence," said Sophie.

"Oh probably not. A few paint scratches, some flirtation to keep his temperature up -- do you think he really needs that? -- and a delay." He looked at her over the table in Crocodile Pete's. "Why delay him?"

Sophie bared her teeth in a sharky smile but said nothing.

* * *

Jo sat at the computer desk in her "studio" wearing nothing but a robe and panties, still warm and relaxed from her shower. If guys knew about that, they'd all want to be girls, she thought. She giggled out loud, booted the computer up and then surfed to Google to look up Tom K. Harmon, Hollywood agent.

After a bit of squinting, she remembered her glasses and went to retrieve them from the nose of the ceramic kitty in the bathroom. "Stupid glasses," she muttered. "Must have got w-weak eyes from Dad." Back at the computer, she quickly found a website for Tom K. Harmon, Talent Associates at the address in Century City she'd got on the phone. And yes, he did handle models, as well as actors, comedians, musicians and even writers. It wasn't a little hole in the wall place but a big office with dozens of agents and hundreds of clients, some of them well-known because there was a list.

But she still didn't know for sure what Melody had sent her portfolio to this agency for. Sucking on a fingertip, she considered. It had to be modeling or Harmon would have mentioned having or needing an audio or video sample. And her appointment as with Harmon himself, namesake of the whole company.

She rolled her eyes. "Well, if I b-blow it, Richard can always support me by driving a cab." She giggled and went back into the bathroom to the oversize walk-in closet to decide what she should wear. That's when she heard the first noises downstairs.

"Richard?" she called out. Silence. She shrugged and pulled out a short, poufy dress in some glittery peachy fabric and held it up. "Nah," she said."I ain't that girly yet." She giggled again and started to pull out another dress. Why do I think I really should wear a dress to this? she wondered.

The new noise sounded like someone trying to open a door by kicking it. She pulled her robe close around her and pushed her glasses back up on her nose. "Richard?" she called again.

No answer.

She went to the door to the bathroom and listened. Someone moving around downstairs. Saying nothing this time, she closed and locked the bathroom door after retrieving her purse and cellphone from the bedroom. She found he speed dial button assigned to 911 and poised her thumb over the button then turned out the lights in the bathroom.



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Oh-h-h Cliffhanger!

Glad I stayed up for this. I think. Now I'm going to lie in bed sleepless all night wondering who's downstairs! Actually I have some ideas, but no time to write them tonight.

Darn you, Donna!

Karen J.

"A dress makes no sense unless it inspires men to want to take it off you."
Francoise Sagan

I second that Oh-h-h

And add a *SQUEAK*!

Obviously Sophie is behind whoever is downstairs, the question is what is she up to? Oh Donna, this is just too cruel! I'm going to be worrying about this all night too - no day off for you tomorrow!

Sincerely,

Scott

~If a person had time enough, he could love all of that majority who are decent and just.~
Lazarus Long
Robert A. Heinlein's 'Time Enough for Love'

Sincerely,

Scott

Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.

I was hoping somebody would share...

..some ideas about who's downstairs. ::grin::

What if it's just Richard? ::lol::

Donna Lamb, flack

Donna Lamb, flack

I was too distraught to think

Well, the problem is the whole trying to kick in the door thing. Richard would have just rang the bell I feel certain. Even if it was the Sophie double in the guise of Richard, he/she/it would have done the same - or just opened the door and gone in (I'm sure the Devil can get past a locked door). I suppose the doorbell could be broken.

Barry? Unlikely again because of the whole B&E aspect. It's possible he got Jo's "screw you" message and has come to find out what's going on, and he may be dumb enough to try and break in. That would be really rich when the cops show up - assuming Jo actually presses the button to call them.

The other guy at the office - Larry? That could be too. It was a little hard to judge exactly what kind of person he was. He was very interested in taking pictures of Jo, to the point you described him as 'lusting to get her in front of the camera.' Perhaps he is lusting for something more?

Another possibility is the guys in the car. Maybe after Richard's evasive maneuver they decided to pursue, and then waited for him to leave. That's a particulary chilling possibility.

Beyond that, my speculations fade. Perhaps someone new - maybe the guy in the prom picture with Melody. That seems very unlikely since Clarence said none of that stuff actually happened - they were just pictures without substance.

Best I can do - sorry Donna.

Sincerely,

Scott

~If a person had time enough, he could love all of that majority who are decent and just.~
Lazarus Long
Robert A. Heinlein's 'Time Enough for Love'

Sincerely,

Scott

Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.

Not bad

You made some guesses I hadn't thought of. ::grin:: I know who it is but now you've given things to think of.

Donna Lamb, flack

Donna Lamb, flack

Well that was sufficiently cryptic

Jo is making a classic guy-turned-girl blunder here, however. A real girl - i.e. someone who has been a girl all her life - wouldn't lock the bathroom door, turn out the lights and sit with her thumb poised over the 911 button, she'd have already pushed it and be talking to the dispatcher. That's especially important using a cell phone because enhanced wireless 911 service is not 100% accurate - it depends on either a GPS chip in the phone or trinagulation from cell towers, either of which can be adversely affected if the caller is indoors.

I did think of another possible suspect - Sophie's driver Bill. Again I would think he wouldn't have to resort to kicking a door in but you never know. Him paying Jo a visit couldn't lead to anything good. I hope nothing bad is about to happen - but we are dealing with the Devil here.

Sincerely,

Scott

~If a person had time enough, he could love all of that majority who are decent and just.~
Lazarus Long
Robert A. Heinlein's 'Time Enough for Love'

Sincerely,

Scott

Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.

Possibilities

Alright, here's a couple I thought of last night. All involve "ignoring" the B&E and focus on what, er, WHO Jo sees when she comes face to face with the intruder.

#1 Jo sees Melody. A classic "who are you and why do you look like me!" confrontation.

#2 Jo sees Joel. What a shock if she were to come face to face with her old male self.

#3 (Almost mundane) Jo sees "Dick". A sex-crazed "Dick" who attempts to forcibly take Jo.

Any of the above would be enough to seriously threaten Melody Jo's newly-found acceptance of herself. Especially the last. If somebody who looks and mostly acts like Richard were to attempt to rape her, she could go over the edge. The DiD would get both of them this way: a mentally-deranged Jo and Richard being punished for something he didn't do but with no way to prove his innocence. (I'm guessing the DiD could easily fabricate the appropriate DNA evidence.)

Wild enough for you, Donna?

KJT

"A dress makes no sense unless it inspires men to want to take it off you."
Francoise Sagan

Scary possibilities Karen

One thing that has struck me throughout this story, however, is that the DiD seems to want/need Richard to make a move on Jo of his own free will. Remember back when Richard hedged his bet and got Jo into bed but didn't make a move but rather prayed to be able to protect her? Sophie tried to change Jo into a real bimbo then, the kind of girl that Richard wouldn't have been able to resist, but she couldn't because of Richard's prayer. Then she interpreted the 'all this' being easier to mean Jo's virtue, which was when Jo started really feeling feminine desire.

Having a faux Richard attack Jo wouldn't accomplish what it seems the DiD has been manipulating things towards. However, having the real Richard arrive just in time to save her from someone else could be the push she needs to throw Jo into his arms.

Sincerely,

Scott

~If a person had time enough, he could love all of that majority who are decent and just.~
Lazarus Long
Robert A. Heinlein's 'Time Enough for Love'

Sincerely,

Scott

Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.

Interesting thoughts

But I don't think they fit with the rules Ted is enforcing on Sophie. The magic in this story has pretty much fit within some narrow strictures and I don't think Donna will "cheat". I'm thinking of the relentless logic of her Flickernet, Pitcher Plant and Grace of Memory stories.

What's going to happen will happen because of what has already happened in some way, without an illegal left turn. <Squeak!> :)

My opinion, of course.

- Erin

Not much for relentless logic

Guess it's 'cause I'm a blonde! While everybody else has been discussing how the magic follows certain limitations, I've been going "huh?".

Remember Scott, Richard is supposed to be late getting back, only the accident didn't work. So whatever is planned is supposed to have occurred before he returns.

KJT

"A dress makes no sense unless it inspires men to want to take it off you."
Francoise Sagan

Accident?

Ah but it was Ted the Clarence who suggested she had tried to cause an accident. I think all Sophie wanted was for Richard to miss his exit and delay him by a few minutes, and Ted's intervention was really unnecessary. I surmise whatever is planned is intended to be in progress as Richard gets back.

Sincerely,

Scott

~If a person had time enough, he could love all of that majority who are decent and just.~
Lazarus Long
Robert A. Heinlein's 'Time Enough for Love'

Sincerely,

Scott

Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.

Hmm!

I have no idea who it could be downstairs unless it was some unknown ex-boyfriend -- or possibly someone Sophie sent to put Richard into a romantic position after a nice rescue. After all, Richard is supposed to be her p-p-protector. So, will Jo really call the p-p-police, who, as they say, when life and death decisions need to be made in seconds are only minutes away? Or will she call both the police and Richard?

Oh, yeah, Jo could be looking at a rescue.

Aardvark

Let's not

Forget just how devious Sophie can be. This just might be a plot to have Richard rescue her and in the passion of the moment for them make like rabbits. That part that brothers me if that was the intention the best plan would be just to leave them be. They are 'itching' bad and it is my guess they would end up in bed together before the weekend was out anyways. The question we have to ask is just what Sophie's aims are? For them to engage in Pre-marital sex? I agree that would seem to be what she is work towards. I'm guessing it's Bill but I could be wrong.
Hugs!
grover

Plan? Ain't got no Plan!
"Beyond Thunder Dome"

Plan? Ain't got no Plan!
"Beyond Thunder Dome"

There's a midnight deadline

Sophie doesn't have all weekend - only until the end of Strangefellow's Day in the Pacific time zone. After that she can no longer toy with our duo. I don't think sex is so much the goal but rather the means to the goal - to push Jo into making another wish.

Sincerely,

Scott

~If a person had time enough, he could love all of that majority who are decent and just.~
Lazarus Long
Robert A. Heinlein's 'Time Enough for Love'

Sincerely,

Scott

Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.

Oh, you mean Jo saying something like ...

"I wish we could be together forever,"- FOOM -- they are statues?

Other more animate f***ups are possible but what if Richard and she, um, do it and she just moans and squeeks alot, happily, making no wish or worse cries out Oh my God, Yes! I wish we were really in love with each other. Or something along those lines.

Clarence could claim that is a bonified third wish. Invoking, um, God should constrain the D in D.

Donna, devious as ever.

John in Wauwatosa
But you're not a scientist. Surely you believe in all this superstitious nonsense. (MAD Magazine)

Could be worse, could be raining. (Young Frankenstein)

But you're not a scientist. Surely you believe in all this superstitious nonsense. (MAD Magazine) Could be worse, could be raining. (Young Frankenstein)

Well there is another angle to consider

I haven't seen anything that suggests that the DiD is obligated to to respond to any wish made. Sophie isn't a genie, after all, she is doing this for twisted amusement.

Gmunro is a prophet (I am a remorseless prophesying wizard.) - the third wish is something he foresaw happening and that Jo would make it. He also cautioned Richard not to make the wish - not even to save Jo, which implies he has seen Jo in jeopardy.

There's still much here that's hidden as by engulfing fog like tremendous pantaloons of hazy blue gauze swallowing the moon. Perhaps the only good ending is to make a wish that Sophie can't twist and warp - which she would likely simply choose not to grant and Jo and Richard will be left to go on with life.

Sincerely,

Scott

~If a person had time enough, he could love all of that majority who are decent and just.~
Lazarus Long
Robert A. Heinlein's 'Time Enough for Love'

Sincerely,

Scott

Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.

Now we know your middle initial ::lol::

An error of mythic, yay, mythic proportionation in your tautonymous logic you are to be making. Tails of fairies am all but agreeable, no solecistic pauper of singular persuasion gets two hairy wishes. ::grin::

Donna Lamb, flack

Donna Lamb, flack

**Arches one eyebrow**

Is this time for a colorful metaphor? Maybe just another Ruh Roh Raggy!

Oh well, it wouldn't be the first time I made an error in my logic logic.

Sincerely,

Scott

~If a person had time enough, he could love all of that majority who are decent and just.~
Lazarus Long
Robert A. Heinlein's 'Time Enough for Love'

Sincerely,

Scott

Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.

Rightly Revered

Mr. Gmunro having only one eyebrow most naively coelopterous. Unless to be counted his third eye is pilogenously. ::grin::

Donna Lamb, flack

Donna Lamb, flack

Moi?

Devious? ::grin::

Love the suggestions, you guys are doing some of the work for me. ::lol::

Donna Lamb, flack

Donna Lamb, flack

Well....

In an earlier comment, when I said:

I hope nothing bad is about to happen - but we are dealing with the Devil here.

I meant to add - and that Sophie Drake chick is pretty nasty too...

*snicker*

Sincerely,

Scott

~If a person had time enough, he could love all of that majority who are decent and just.~
Lazarus Long
Robert A. Heinlein's 'Time Enough for Love'

Sincerely,

Scott

Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.