
by Donna Lamb
Richard handed the phone to Jo after retrieving it from under the bed, noting that the hardwood floor seemed clean and free from dust bunnies. Maid service, probably. Still on his knees, he presented the phone to Jo with a flourish.
Frowning at him, Jo answered, "Hello?"
"Baby, that was brilliant! Totally defused Cherie before she even suspected a thing!" The big voice came through the tiny phone just fine.
"B-b-b-barry?" Jo squeaked.
"You're the greatest, babe. Kiss, kiss." It was indeed Barry making osculations into his phone.
Jo sputtered. Richard reached for the phone thinking, How dare that bastard call her! Jo wouldn't let him have the phone though, moving, turning away and scowling -- either at him or Barry, he couldn't tell.
"I love you, too, baby," said Barry, mistaking the noises for more kisses. "But I've got to go, I'm at breakfast with Cherie and some other biddies. Meet you at nine tonight, at Wrangler Jill's, wear something, um, skimpilicious."
"B-b-b-b-b-b-b-!" said Jo, quite literally speechless.
"B'bye, baby-boo!" said Barry. He hung up, still clueless and self-satisfied, imagining Melody in a short dress like she had worn to the office only with heels and makeup, jewelry and smiles. Hot Damn. Melody reminded him of Cherie at that age, before he'd left his first wife. He turned the phone off again and slipped it into his pocket and smiling, went back to his wife.
"Damn it!" Jo stabbed callback -- glaring at Richard this time, surely -- while she waited for it to ring. Richard watched in awe; Melody Jo angry was something to see. Her eyes flashed green, her cheeks glowed and her movements had that abrupt grace of hunting cats. Wow, he thought, isn't she something?
"The party you are trying to call is unavailable," the phone said into Jo's ear. "If you'd like to leave a message, start speaking at the tone. Beep."
"Screw you, Aronhaus!" Jo shouted into the handset, then snapped the phone closed. She turned away from Richard and glared at the glass case full of babydolls, bears and bunnies.
"You know, " said Richard without thinking it all the way through, "it's possible that you have been. Screwing Aronhaus, I mean." He ducked when Jo turned around with the phone raised to throw at him.
"M-m-m-I'm not a slut!" she shouted. "Richard, you are a dick! A dickless dick-dildo of a dick!" She didn't throw the phone but suddenly spun back around, tossed the phone on the bed and bent down in front of the glass corner cabinet. "Dunny!" she said, pointing.
"What?" The dickless accusation had stung Richard's pride; he didn't think it fair, just or accurate. True, it had been stupid to speculate on whether Melody had bedded Barry Aronhaus. Especially out loud. Jo angry wasn't nearly as cute when she was angry at him. Still sexy though, he decided. But she's definitely wrong about the dickless thing. He looked at her ass sticking up in the air as she struggled with the latch of the cabinet. Definitely not dickless, oh no.
Jo opened the glass door and took out a bedraggled, stained, loose-limbed, plush rabbit about eighteen inches long, including ears. "Dunny!" she said again. "It's Dunny, I thought I lost him twenty years ago!" She stood, leaving the cabinet open, then sat on the bed, the happy-sad bunny in her lap.
"The rabbit?" said Richard, getting a clue. Dunny?
Jo nodded, stroking the soft fabric of the very old toy. She had a far away look for a moment. "I remember now, w-when the b-baby died, I told them she could have my Dunny to take with her to Heaven so she wouldn't be scared. And she kept him for me, and now I've got him b-back." She hugged the limp toy. "Thank you, sis."
* * *
Sophie snarled, "Is that the same damned rabbit?"
Ted smiled. "You'd better believe it. Miriam wanted Melody Jo to have it. So she wouldn't be scared. We retrieved it from the grave, cleaned it up so it's just like it was when Joel gave it away. The real Miriam, Jo's real little sister."
"And you accuse me of cheating," Sohie grumbled. But she had to admire the slickness of the trick.
"Heartbreak into joy, our stock in trade," said Ted with satisfaction.
* * *

So Miriam did exist
Poor Jo/Melody,
To know that you may have slept with an ass but that your stillborn sister loves you from beyond the grave must be straining Melody'/Jo's sanity to the breaking point. Her emotions are a whipsaw at the moment. At least she told off the asses machine. His current wife was in Melody's position at one time? Dump the slimball, Melody/Jo.
As to asses, she had better stop bending over in front of *Dick*, thus showning her's off. Her anatomy is having a powerful effect on parts of his.
Still need to know about the photographer.
Interesting when she was angry with *Dick* she almost didn't stutter but she stuttered bad with Barry on the phone, hum?
John in Wauwatosa
P.S. I'm begining to wonder, is the Clarence's bumbling an act to trick the Devil or did the good guys deliberately pick a novice to make the Devil over confident and thus lible to make a *fatal* error in our lovers -- Melody'Jo and Richard the Dicks' -- favor.
But you're not a scientist. Surely you believe in all this superstitious nonsense. (MAD Magazine)
Could be worse, could be raining. (Young Frankenstein)
But you're not a scientist. Surely you believe in all this superstitious nonsense. (MAD Magazine) Could be worse, could be raining. (Young Frankenstein)
Melody Jo's stability
Thing's are weird, no doubt about it and Jo's reactions may seem a bit going from one extreme to another. She's less in denial now, more willing to accept reality -- and maybe push back. ::smile:: Her reaction to Barry is two fold, she disliked his behavior on both general and personal grounds.
As for not stuttering while giving Richard what for, she wasn't really as angry and picked her words carefully to avoid the ones she has troube with. ::grin::
Donna Lamb, flack
Donna Lamb, flack
Oh Donna
This has to be the sweetest thing ever - and score one for the Clarence! You got the tears going with this one.
Sincerely,
Scott
~If a person had time enough, he could love all of that majority who are decent and just.~
Lazarus Long
Robert A. Heinlein's 'Time Enough for Love'
Sincerely,
Scott
Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.
Tears
I cried when I wrote it, too, so we're even. ::grin::
Donna Lamb, flack
Donna Lamb, flack
How do you do it?
Donna how do take silliness and make so endearing? Dunny! Richard is falling hard (NO PUNS!) for Jo but Aronhaus is still rearing his ugly head. Yay Clarence and Miriam!
Hugs!
grover
Plan? Ain't got no Plan!
"Beyond Thunder Dome"
Plan? Ain't got no Plan!
"Beyond Thunder Dome"
Ted the Clarence
Ol' Ted got in a sneaky one, huh? :smile: To tell the truth, this one snuck up on me, too. Blame the five-year-old daughter of a friend of mine and her collection of plush rabbits, one of which I'm sure was named "Dunny." ::grin::
I couldn't say "f" or "th" sounds as a small child -- for some reason, I used "k" as a substitute. I remember bringing some broken toy to an adult and saying "Fix this." So, she kissed it. ::lol::
Donna Lamb, flack
Donna Lamb, flack