
by Donna Lamb
Richard drove like un coureur du Tour de France sans drogue: he was losing the race. He changed lanes mechanically, he ignored opportunities to surge ahead; he might as well have been a typical commuter who had left his mind locked in his desk at work.
Jo gave him a couple of concerned looks but she said nothing. I wonder if he's thinking about me? Oh, isn't that a lovely bit of self-centeredness to discover about oneself? Looking for some way to distract her attention from Richard, she pulled down the sun-visor in the Mustang to look into the mirror attached to the back. Oh, now this is vain, too. God, I'm so-o-o shallow! She giggled out loud.
Richard glanced at her, showed his dimples in a reflexive smile and went back to his deep concentration on whatever weighty problem had engaged his thinking.
"Are we going to b-be on time?" Jo asked after a bit more poking along.
"Sure," said Richard. He accelerated around several pokey sedans, cut through the opening between a gas truck and a cement mixer to reach a clear lane and ran the late amber light at La Cienega. Jo bit back a squeak. Richard said, "We really had plenty of time, but you never let a girl know that."
Jo's mouth flew open, Richard looked at her sideways and winked.
She sighed, realizing she had been had. "What were you thinking about b-back there?"
"Us. You," he said.
Jo felt a glow. "Really?"
"Yeah,"said Richard. "This looks like it's the real deal, a rest-of-your-life sort of thing. You're Melody Jo now and you're a real person with a real place in the world."
Jo blinked, suddenly unsure if she wanted Richard to be thinking of her in such terms.
"You're beautiful, you're rich and you're talented. I just have to wonder...." He didn't finish, suddenly having to take evasive action to avoid eating the rear bumper of a BMW convertible driven by a plastic-looking blonde who had fishtailed her beemer through the eye of a camel.
Jo did squeak that time and Richard cursed. The moment had passed.
* * *
"Rather evil bit of buggery that," remarked Ted.
"You should know," said Sophie, with a smirk.
He looked at her down a long, British nose. "I meant, you're playing a devious game, folding your strategy back, egging them on then cooling them off."
"Ew, cold folded eggs," said Sophie.
"Whatever," he said. "You're losing this one old girl, and you know it."
"If hearts were not trump, I would have."
He stared at her. "Hearts are trump? But that's why you are losing. Love conquers all, you know."
She smiled. "I'm counting on it."
* * *
Jo and Richard reached the entrance to the parking garage under the building holding the offices of Tom K. Harmon, Talent Associates before they managed to get back the discussion they'd been on the edge of starting.

I was just blinded by the flash of a brilliant light bulb!
What if Sophie's devious plan is not to get these two together at all? What if her purpose is to keep them apart? When Richard said this:
"You're beautiful, you're rich and you're talented. I just have to wonder...."
What if his next words are going to be something like "...what a girl like you could see in a guy like me?" Might Richard getting all noble cause Jo to make a rash decision when she meets with Mr. Tom K. Harmon or ... shudder ... another wish?
Ya done it again, Donna ... I can't wait to see what happens next!
Sincerely,
Scott
Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.
Sincerely,
Scott
Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.
You may have something
Take two aspirin and call an exorcist. ::grin::
Donna Lamb, flack
Donna Lamb, flack
Not Freaky Friday?
Or whatever the name of the Jim Carry film where for 24 hours he can only say the truth, the absolute truth as he sees it even when shutting up or a white lie would be better.
Will Melody Jo get frustrated and say, "This is frustrrating, I wish we could say what's really on our minds." And they both get so graphic they scare each other off and the blatant honesty looses Richard his job and so on.
I don't see Jo as wanting anyother man. But I can see enough self doubt creeping into Richard that he goes all noble and deliberately breaks up with her thinking its for the best.
I'm getting the impression the big dupe here is the DiD and Jo was suposed to be a girl all a long and Richard's soulmate but then I'm a hopeless romantic type.
Bring on yer worse DiD, Jo will beat you.
John in Wauwatosa
But you're not a scientist. Surely you believe in all this superstitious nonsense. (MAD Magazine)
Could be worse, could be raining. (Young Frankenstein)
But you're not a scientist. Surely you believe in all this superstitious nonsense. (MAD Magazine) Could be worse, could be raining. (Young Frankenstein)
Mysterious Ways
Even the Devil works for the ultimate good? Interesting. ::smile::
Donna Lamb, flack
Donna Lamb, flack
Lair, lair
"Liar, Lair" is the title you're looking for John. Scott does have a point. Our devious Sophie Drake could be trying to keep them apart instead of what most of us was thinking. If so I would like to know why she for filled that first wish? I'm beginning to think we've all misjudged Richard. He and not Jo was her primary target. Sure she'll take Jo's soul but I'm thinking now Jo was just a way to get to Richard. That's why I love this so much because our beloved Adonna keeps us guessing!!!
Hugs!
grover.
Plan? Ain't got no Plan!
"Beyond Thunder Dome"
Plan? Ain't got no Plan!
"Beyond Thunder Dome"
Primary Target?
Interesting insight. Wouldn't that be just like the Devil, torture some poor schmoo like Joel just to get at a Dick like Richard. ::grin::
Donna Lamb, flack
Donna Lamb, flack
With a bonus
Two for the price of one.
Hugs and love,
Cindy
I don't think so
If Richard was the real target, Sophie had him at the very start. Instead she bailed on their date, sending him home to Joel.
Somehow I have this odd idea of a conversation that took place before the actual story began. A voice is speaking - seductive, enthralling and yet with words of accusation. Then another voice breaks in - powerful and commanding - and says...
"Have you considered my servant, Joel?"
Sincerely,
Scott
Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.
Sincerely,
Scott
Calvin: You can't just turn on creativity like a faucet. You have to be in the right mood.
Hobbes: What mood is that?
Calvin: Last-minute panic.